Special Presentation by Eddie Hyde FRPS

Making Sense of the Landscape - The Art of Seeing
A personal take on Landscape Photography

 Yesterday's special presentation was all about landscapes and the art of choosing not only a subject but choosing all the elements of a composition. Eddie is clearly a consummate photographer and this expertise is the result of carefully 'seeing' what's in the viewfinder and making a multitude of decisions.

Landscape photography is the supreme test of the photographer and often the supreme disappointment
— Ansel Adams

Eddie began with the key criteria of landscape photography - the rules of composition and key elements. Composition, does 90% of the work in a good photograph but remember lighting, atmosphere and keeping it simple! Eddie showed many examples of simplicity with some remarkable subjects: planes, castles, beaches and storms.

Make use of leading lines and as examples he showed fields, railway lines and other compositional devices including the path to nowhere, the river to nowhere and the road to nowhere!

Another gem of an idea was to ask yourself 'Is there more than one picture within the view?' Eddie enlarged on this theme by explaining his use of different focal lengths - 50 to 200 mm, 100 to 500 mm to select different compositions.

Moving forward to woodland captures Eddie invited us to embrace the chaos and be aware of the power of light. Also he said use the marcescence of beech leaves especially when combined with mist and fog. Mist and light in woodland are heaven on earth!

Dismal day options are not to be overlooked, high and low viewpoints and long exposures can produce good results on these days.

The results of sunny day photography can be black and white, high contrast and infra-red.

Eddie concluded his presentation by sharing his FRPS panel with us, a wonderful selection of woodland shots all within a short walk of his house!

His conclusion was 'Enjoy the experience and be ever hopeful'.

Images are shown courtesy of Eddie Hyde FRPS and remain his copyright.