Posts tagged woodland
Special Presentation by Eddie Hyde FRPS

Making Sense of the Landscape - The Art of Seeing
A personal take on Landscape Photography

Yesterday's special presentation was all about landscapes and the art of choosing not only a subject but choosing all the elements of a composition. Eddie is clearly a consummate photographer and this expertise is the result of carefully 'seeing' what's in the viewfinder and making a multitude of decisions.

“Landscape photography is the supreme test of the photographer and often the supreme disappointment”

— Ansel Adams

Eddie began with the key criteria of landscape photography - the rules of composition and key elements. Composition, does 90% of the work in a good photograph but remember lighting, atmosphere and keeping it simple! Eddie showed many examples of simplicity with some remarkable subjects: planes, castles, beaches and storms.

Make use of leading lines and as examples he showed fields, railway lines and other compositional devices including the path to nowhere, the river to nowhere and the road to nowhere!

Another gem of an idea was to ask yourself 'Is there more than one picture within the view?' Eddie enlarged on this theme by explaining his use of different focal lengths - 50 to 200 mm, 109 to 500 mm to select different compositions.

Moving forward to woodland captures Eddie invited us to embrace the chaos and be aware of the power of light. Also he said use the marcescence of beech leaves especially when combined with mist and fog. Mist and light in woodland are heaven on earth!

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Woodland and Coastal Photography workshop with Ruth Grindrod

Do you remember those long days of childhood when you got up early and with a group of friends walked through woodlands and across heaths, made bows and arrows and watched the birds? When everything seemed right about the world and there were no problems to worry about.

Ruth's workshop last Sunday (7th November) wasn't quite as relaxed as this opening paragraph might suggest but a dozen members of the Society’s Landscape Group, armed with tripods and cameras tumbled out of bed around four o'clock in the morning to travel to beautiful Suffolk to practice our photographic techniques armed with the notes and suggestions of Ruth and a lot of personal enthusiasm. Ruth had scouted four venues for the day, Captain's Wood first, just after dawn, another smaller ancient woodland Staverton Thicks, then onto Hollesley Common and ending on the shingle at Shingle Street.

We practiced finding compositions with camera 'phones, tried different frame sizes and took hard and soft images. Ruth's advice was clear and enthusiastic and different for each venue. We tried portrait and landscape modes, using polarisers and checking how the shapes of trees related to one another.

As we were individually afoot in the different venues Ruth came round and offered encouragement and advice to everyone - suggesting dancing around the viewpoint to check different aspects, including leaves and sunlight into the frame for effect, thinking about how the picture might look in black and white.

The day ended on the beach at Shingle Street at sunset. A row of photographers outlined against the night sky with tripods and filters all pointing at the setting sun and all experiencing the good karma of a wonderful day of photography.

The effort of early rising and the hard mental work of working out the shots resulted in a glorious day out. Our thanks to Ruth, not just for the venues, but for the inspiration, ideas and enthusiasm.

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