Posts tagged portraiture
Storytelling for Photographers by JP Stones

Yesterday evening's presentation by JP from his home in Mexico, where he has lived for about the last ten years, was shared with Sheffield Camera Club so more than 60 people tuned in to a very interesting presentation.

 JP explained that he worked with the Mexica people whose roots are in the prehispanic periods of meso America. He showed a picture of Linda, one of his models, in a costume relevant to the myths of her culture and he made the point that she had produced the costume herself and how expensive it was, but all the details mattered to be sure that the costume was factually correct for the myth.

He said that when he first started full time photography he only wanted to take pretty photos, but he found that his interest in making narrative photos resulted in a different kind of picture and he was surprised to find that his photographs were copied on to tattoos and murals! He even gave permission to have one of his images used as a Hells Angels logo!

This change of direction from pretty pictures to storytelling photos had produced a much greater reaction to his work. It was clear to him that the story comes first, and the photo follows. As an example of narrative pictures JP used the early Christian church of western Europe. The first followers of the Christian faith could neither read nor write so to give them an understanding of the legends and stories the interior of churches and the stained glass of the windows were covered with pictures showing the religious messages and histories - iconography.

Read More
How I take my portraits by Lee Sutton

Tuesday evening's Special Presentation came from Blackburn in Lancashire and was delivered by Lee Sutton who has a list of achievements after his name stretching almost to Norwich!

Overall his talk was easy to follow and informative, full of explanations and examples. He began with a very short outline of his camera and lenses before moving on to the thought provoking 'reasons why your pictures are not as good as they could be'.

There then followed a list that all photographers have to grasp if they are to improve their images: know your camera; practice, become part of your camera; understand the basics of exposure; pay attention to composition; study other photographers, not just the greats but others in your club; understand light; if possible include a story in your picture; hold the camera properly and finally get your photos critiqued.

Lee continued with examples of composition including the importance of 'thirds'; cropping; filling the frame; leading lines; triangles; backgrounds and so on.

He showed us many examples of shots taken in a studio where he had total control of the lighting the pose and properties and followed with a set of shots taken in natural sunlight.

Then he showed how he edited a headshot in Photoshop, slowly clearly and succinctly.

He outlined some of the problems associated with location shoots, the weather, locations and unhappy models.

His recap included the advice to talk to the model, keep poses simple, check backgrounds for distractions, use suitable depth of field and finally he talked of camera care. If your camera is not clean and dust free there will be problems with the pictures you take.

We are grateful to Lee for an evening of down to earth advice and endless tips for producing better photographs.

Read More
Creative Techniques by Glenys Garnett

Creative Techniques
Photography is a visual art that begins before you pick up the camera

This week on Tuesday evening Norwich & District Photographic Society were treated to a inspirational special presentation - Creative Techniques, by Glenys Garnett.

Why haven't I used these techniques? Glenys' results were breath taking. Of course I've used multiple exposures but not with blend modes!

Glenys began with a short introduction of herself, revealing that her background was in graphic design and IT. She said she was interested in landscape and nature and particularly floral photography. She said that many of her images were abstract and two important points were that mostly the capture was in camera and the end result created an impression, that is structure, shape, and form rather that a record shot.

Glenys, throughout her presentation, explained technique, and approach and in every case showed examples, and what stunning examples they were.

She said that photography was a creative visual art and that the whole process began before she picked up the camera - visualisation, capture, technical skill, processing and developing. She quoted Cartier-Bresson 'Think about the photo before and after, never during.' Being creative was a mindset and all about seeing, exploring and discovering ways of expressing yourself. Ask yourself; Why am I doing this? What am I trying to say or show?

Techniques do not make you creative, you must express yourself, play and experiment, develop ideas and visions.

Glenys was on a roll and in the second part of her presentation she focussed on intentional camera movement (ICM) and multiple exposures (ME). For ICM shots she recommended not to use small apertures, use ND filter, manual focus hold the camera still then move it.

For ME shots she described the different blend modes available in today’s cameras and the effects they produce. Of course these explanations were accompanied by her own wonderful examples.

This review barely scratches the surface of the information offered and falls short of describing the enthusiasm of Glenys for her hobby. So much to assimilate and so much to practice.Creativity is hard but she finished her presentation with the exhortation HAVE FUN

Read More
Review of last night's outstanding photo-talk by Panikos Hajistilly

His website tells us that Panikos has won dozens of National Awards with his imagery, including the prestigious MPA Master Photographer of the Year in 2017/18, a Fellowship with the Master Photographers Association, a Master Craftsman with the Guild of Photographers and a Fellow with the SWPP and the BIPP.

The NDPS programme billed Panikos like this - 'Tonight we look forward to a Masterclass as Panikos discusses his workflow from capturing the images all the way through post production to the final images for viewing by the client.'

And what a night it was for understanding the creative viewpoint of the photographer and the nitty gritty work of painstaking post-production. Panikos made it clear that before he shoots a picture, be it studio or outside, he knows how he wants the image to look and he also knows how the model wants it to look! He took us through a couple of model shoots and began by showing how he selected, discarded and kept images in his system and then he moved on to demonstrating his photoshop techniques.

We all know that with Photoshop there are always different techniques to achieve a similar result, but Panikos demonstrated his best and most workable ways of producing outstanding images in a manner that was easy to understand and simple to follow. Slowly, slowly, layer by layer, his images leapt into life.

The two groups of NDPS, one at home and the other at our new Bluebell Road venue, listened and watched intently and came away with lots of new ideas and things to try for themselves. Our thanks to Panikos for a very practical evening and for a brief insight into the workings of this remarkable photographer.

Read More