The End of the Mine by Chris Upton

The last of our regular Special Presentation of 2021 was a hugely inspirational talk by Nottinghamshire based photographer Chris Upton. Chris is a landscape, travel and social documentary photographer and his presentation led us through all these areas and much, much more.

This was a walk through Chris' project documenting the last months of Thoresby Colliery in Nottinghamshire. What began as a simple project shooting a record of a mine, albeit not being allowed to go underground, bloomed into something much bigger and grew into an exhibition and a book, not to mention the AV and local radio and television.

This long journey was carefully, researched and choreographed by Chris including making meaningful relationships with the miners working on the site. The important point Chris was making was that a project, leading to a collection of photographs or even a book of pictures was a much better exercise that taking one photo to gain 10/10 from a judge!

The photographs that Chris showed us were wonderful examples of the art of black and white photography, because that’s what they were, he explained that If they had been in colour we would have all had our attention stuck on the orange workwear and missed the important vistas in the background.

All the pictures were shot in RAW, of course, converted into black and white and the postproduction was in Nik or Lightroom. And what wonderful results they were, Chris showed himself to be a consummate photographer and postproduction expert.

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The Annual Three-Way Battle Norwich | Ipswich | Lowestoft

Last night saw the return of this well-loved 'battle' between three of East Anglia’s oldest photography clubs. The Coronavirus pandemic had kept us apart since 2019, but Ipswich were this season's hosts and representatives of all three clubs met in their meeting room in Ipswich for the judging by Sarah Kelman ARPS, DPAGB from Cambridge with the meeting being Zoomed live to those members of the three clubs who did not attend in person.

And what an evening of excitement it turned out to be!

We arrived in Ipswich fresh from the outstanding performance by our members just four days before in a new style photo-competition with Sheffield Photographic Society and the London club, Old Coulsdon Camera Club, but far from being battle weary we were prepared for a tough engagement. Throughout the evening as first monochrome and then colour prints were displayed and marked the top score swayed from one club to the other until, at half time, amazingly, all three clubs were separately by just half a point. There were murmurs of surprise from the Competition Secretaries, a lot of ad hoc checking of points and the judge said she could not recall a similar situation.

In the final part, everything was left to play for. Another 21 digital images were displayed, and careful notes were made of the scores. Finally with every picture displayed and the scores recorded on the software and the notepads of the Competition Secretaries the winner was declared. Norwich and District Photographic Society! The final scores were NDPS 181.5, LCC 180.5 and IDPS 177.5

The NDPS selection from 14 different Society members showed our strength in depth with more than 76% of our entries being awarded at least 81/2 out of a maximum score of 10. Congratulations to Adrian, Alan, Dave B, David J, David T, Des, Gary, Jayne, Justin, Malcolm, Maurice, Pat, Patricia and Tom, whose excellent images across a broad selection of photographic genres all contributed to our success.

The image below shows NDPS Chairman alongside a representative from Ipswich being awarded the winner’s trophy by Sarah Kelman.

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Inspirational Special Presentation by Douwe Dijkstra (‘Dex') from Sydney Australia.

My Street Photography

This week NDPS members were very happy to receive a breath-taking presentation from Dex, a professional graphic designer and an 'amateur' photographer living and working in Sydney, Australia. Dex took us through his life and his all-consuming 'hobby'.

The standout features from this presentation were firstly that Dex only used an iphone camera and secondly only produced black and white images - probably a difficult set of parameters for the average photographer but for Dex, not a problem.

Dex's initial photographic inspiration was drawn, when a child, from his grandfather's camera and photos, and these inspirations have lasted the whole of his life. He talked of his journey through film, DSLRs and finally only using iphones. He said that his work as a graphic designer was separate from his photography but stood him in good stead from a compositional point of view.

He catalogued his photo collection using headings such as Beautiful Light, Creative Captures, Layered Composition, Graphic Shapes, Reflections and Decisive Moments. For each of these headings Dex displayed a whole series of his photographs. These pictures included those he selected for publication in his own book, #mysydney and those photographs selected by Photography Magazine for his award Photographer of The Year.

Dex left us with the exhortations to be inspired, be creative, follow our instincts, think outside the box, break the rules and most important of all Do Have Fun..!

A tremendous evening of first rate photography and, judging by the questions asked at the end of the presentation and by those comments left in the comments box, an outstanding evening enjoyed by well over forty members of the Society.

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Awesome Abstract and Aerial Photography - Mieke Boynton

On Tuesday evening we welcomed Meika back again and she gave us her inspirational presentation on the fun and curiosity of abstract image making. A recurring theme of her presentation was the idea of 'fun' in photography, a theme with which she opened and with which she closed.

Meike told us of her background in art and gave us a list of her most influential artists; Kadinsky, Mondrian, Escher, Op Art, Papurya Tula (Aboriginal dot painting). She mentioned her background in extreme sports and how she had represented Australis on bob sleigh. This is surely a very talented photographer.

After this short introduction she showed us a breath-taking selection of her photographs taken from a helicopter. Make sure you remove the door to prevent reflections in the helicopter’s windows!

Many photos from Western Australia (Broome) of water, lakes and mud shot from directly above, and a lot of pictures from Iceland.

We then moved on to abstracts at home which included abstract smoke, incense, and using a snoot to light it and, above all, take care not to blow the smoke in the wrong direction. Mixing oil and water and milk and food dyes. After using the milk and food dye drink the milk!

There were wonderful selections of intentional camera movement done in the field and done using photoshop with some screen shots of the programme showing exactly how to achieve the best results.

Meike rounded off her presentation with her mantra 'Just Have Fun!' Another great evening of photography, tips and a gallery of cracking images - thanks again Meike.

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Maurice Young
Woodland and Coastal Photography workshop with Ruth Grindrod

Do you remember those long days of childhood when you got up early and with a group of friends walked through woodlands and across heaths, made bows and arrows and watched the birds? When everything seemed right about the world and there were no problems to worry about.

Ruth's workshop last Sunday (7th November) wasn't quite as relaxed as this opening paragraph might suggest but a dozen members of the Society’s Landscape Group, armed with tripods and cameras tumbled out of bed around four o'clock in the morning to travel to beautiful Suffolk to practice our photographic techniques armed with the notes and suggestions of Ruth and a lot of personal enthusiasm. Ruth had scouted four venues for the day, Captain's Wood first, just after dawn, another smaller ancient woodland Staverton Thicks, then onto Hollesley Common and ending on the shingle at Shingle Street.

We practiced finding compositions with camera 'phones, tried different frame sizes and took hard and soft images. Ruth's advice was clear and enthusiastic and different for each venue. We tried portrait and landscape modes, using polarisers and checking how the shapes of trees related to one another.

As we were individually afoot in the different venues Ruth came round and offered encouragement and advice to everyone - suggesting dancing around the viewpoint to check different aspects, including leaves and sunlight into the frame for effect, thinking about how the picture might look in black and white.

The day ended on the beach at Shingle Street at sunset. A row of photographers outlined against the night sky with tripods and filters all pointing at the setting sun and all experiencing the good karma of a wonderful day of photography.

The effort of early rising and the hard mental work of working out the shots resulted in a glorious day out. Our thanks to Ruth, not just for the venues, but for the inspiration, ideas and enthusiasm.

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Infrared Photography by Derek Michalski

On Tuesday evening Derek shared his enthusiasm and love for infra-red photography with us. But he said he was not a technical photographer and his passion for photography began in his childhood with a Russian plastic camera when he was only 12 years old, but this cheap camera fired his imagination and then later in life he studied philosophy, and this guided his own particular and special approach to taking photographs. Everything is made up of atoms and everything is related.

Derek thanked Robert Williams Wood who invented IR (and ultraviolet) photography in the 1800 s. It is very important to remember that we are not photographing visible light with these IR cameras and that's why post processing is very difficult to grasp if you are working on your own. But the colours are false, of course, and there are many opportunities to just have fun with colour.

This idea of having fun and above all experimenting with filters and post processing were a theme running through Derek's presentation.

He showed us a series of photographs of trees and woodlands, olive trees from a garden centre and city centre shots! What a breath taking selection of beautiful images.

After the break we went to one of Derek's favourite places, a cemetery - here, he said, he felt at home and surrounded by endless opportunities for IR. This was followed by a whole series of photographs of clouds, seascapes and a landscape of Stone Henge!

Derek rounded off his presentation by offering 'The Best Of', some of his favourite photographs - Cambridge, abroad and a very happy cow!

Practice makes perfect was his last injunction and it was apparent to us all that here was a photographer who had practised a great deal. Our thanks for an instructive, informative and entertaining evening.

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Review of last night's outstanding photo-talk by Panikos Hajistilly

His website tells us that Panikos has won dozens of National Awards with his imagery, including the prestigious MPA Master Photographer of the Year in 2017/18, a Fellowship with the Master Photographers Association, a Master Craftsman with the Guild of Photographers and a Fellow with the SWPP and the BIPP.

The NDPS programme billed Panikos like this - 'Tonight we look forward to a Masterclass as Panikos discusses his workflow from capturing the images all the way through post production to the final images for viewing by the client.'

And what a night it was for understanding the creative viewpoint of the photographer and the nitty gritty work of painstaking post-production. Panikos made it clear that before he shoots a picture, be it studio or outside, he knows how he wants the image to look and he also knows how the model wants it to look! He took us through a couple of model shoots and began by showing how he selected, discarded and kept images in his system and then he moved on to demonstrating his photoshop techniques.

We all know that with Photoshop there are always different techniques to achieve a similar result, but Panikos demonstrated his best and most workable ways of producing outstanding images in a manner that was easy to understand and simple to follow. Slowly, slowly, layer by layer, his images leapt into life.

The two groups of NDPS, one at home and the other at our new Bluebell Road venue, listened and watched intently and came away with lots of new ideas and things to try for themselves. Our thanks to Panikos for a very practical evening and for a brief insight into the workings of this remarkable photographer.

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Successful start to this Season’s Photographer of the Year Competition

Last night Norwich & District Photographic Society held the first meeting a our new home - The Interactive Studio at the City Academy, Norwich in Bluebell Road.

The meeting attended by nearly sixty members split 50/50 between those present in person and those joining in via zoom from home saw a successful start to this Season’s Photographer of the Year Competition which was judged by Johnnie Rogers ARPS DPAGB AWPF AFIAP who said in summing up the evening - “…A great set of images which shows just how much talent there is in your club, well done to all…”

In each Round each entrant is allowed to enter a maximum of two images:

* The first image should comply with the theme for that has been ‘defined’ including any restrictions regarding manipulation processing for the defined image in each round.

* The entrant is able to choose the theme/subject of the second image and there is no restrictions placed upon manipulation.

The defined theme for Round One was MINIMALISM (IN COLOUR)

Minimalism emphasises the use of a minimal number of compositional elements: colour, objects, shapes, and textures. To so many of us Minimalism refers to clean lines and black and white objects. But you do not have to see the world in two colours to be a loyal Minimalist...! Minimalism does not mean that no colour is ever allowed in your life anymore.

Congratulations to Adrian Richmond whose image CALM SEAS won the f5.6 League, and William Moore whose image UNDERWATER won the f2.8 League.

In the free-choice round congratulations to Andrew Loveday whose image SHADOWS ON THE PIER won the f5.6 League, and Steve de Roeck whose image CLOSE UP won the f2.8 League

In addition, to those members whose images won their leagues (both themed and free-choice entries) a further six members entered images that scored at least 9.5 out of 10 thereby gaining an automatic place in the Image of the Year Competition later in the season:

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60 Minutes in Mumbai's Dhobi Ghat by Michael Chinnici

Last Tuesday evening evening Michael Chinnici, whose home is in New York, gave his presentation from Bolsano, in Northern Italy, where he is supervising the print and production of his next book - Vanishing Cuba

The Dhobi Ghat is used throughout south-central Asia to refer to any laundry-place or washing-place where many launderers or clothes-washers work; they may be ordinary people or professionals (traditionally men) who use the place to wash clothes and other linen.

Mumbai has an extensive dhobi ghat (there are several other dhobi ghats in Mumbai!)

It was here in the extensive Dhobi Ghat that Michael spent just over an hour with one camera, and one lens. He took a whole series of pictures in black and white which, of course, he could view in black and white on the camera screen but all the colour information was still there in the RAW file. The final pictures he had made in mono were not only outstanding pictures, but all told a story. The Dhobi Ghat is run along the caste system lines, you are born into the ghat, work in the ghat and that is your life.

Michael's photographs illustrated the life and work of the workers, the people who work there also live there. So, we saw pictures of people washing clothes by hand, people ironing, cooking and just relaxing. Many of these pictures were environmental portraits where the person was just as important as the background. And in the background so many times was the ubiquitous wall calendar offered as a gift by a politician.

He explained that all the photographs were handheld, all used natural light and none were taken on a tripod. All were processed in Lightroom and Silver Effects from the Nik Collection using Topaz to de-noise as a first process.

In the Q and A period Michael offered some good advice on street photography including a technique he has used himself, giving his camera for a subject to look at and try, to gain confidence - if I can trust you with my camera, you can trust me with your image!

Our thanks, Michael, for an interesting and instructive evening.

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Urban Exploration to Fine Art - Viveca Koh's Photographic Journey

Yesterday evening Viveca Koh presented the second special presentation of the season. This was an evening unlike any other, a wide ranging collection of images and explanations, a journey into the world of Viveca road mapped by her photography.

She began with an explanation of how she was a self-taught photographer and told us of her different cameras including her iphone. Her qualifications are impressive; LRPS, ARPS and FRPS and FIPF which clearly show that she is an outstanding photographer.

She immediately moved into the area that is her speciality - UrbEx, urban exploration. She led us through several abandoned mental hospitals and abandoned mortuaries. Crumbling buildings falling into decay and suffering the ravages of weather and time but nevertheless offering opportunities for Viveca to feature her love of the smaller elements she came across and making photographs of these in her, almost trademark, square format. These pictures, always beautifully framed and composed, had the power to induce some unease in the viewer’s mind. So, for example, the carefully photographed body of the desiccated squirrel and the photograph of a fully made bed on an iron bedstead brought the audience up with a start.

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At the bottom of our Garden - Jayne Odell FRPS, FIPF opens the Autumn Season

Last night nearly 55 people, including some of our friends from Old Coulsden Photographic Society, London, were treated to a feast of black and white images from Jayne Odell based on her attainment of both ARPS and FRPS from the Royal Society. All presented under the heading of At The Bottom of Our Garden!

Jayne began by outlining how her interest in photography was fired. Like many of us she began with landscape photographs from family holidays, in her case the Lake District, before later moving on to club photography, exhibitions, salons and finally RPS distinctions.

She showed us her kit, Nikon full frame SLR plus 5 lens' and now more often Fuji mirrorless plus 2 lens'

Jayne attempted the Associateship first following an advisory day, which means 15 pictures and a Statement of Intent. Success!

But having achieved Associateship was Fellowship possible? She held back but continued to enjoy taking photographs! She moved to Newmarket and found a stables at the bottom of her garden and became intrigued with the morning 'runs' and the regular workings of a stables. Then, quite by chance she met the trainer, Charlie Fellowes who wanted photos of his horses, and this led to a long standing relationship between the racing stable and the photographer. Jayne began to photograph everything from before dawn when the first string of horses head out to exercise on the Heath to all the candid behind the scenes shots of the teamwork that is so evident around the yard.

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Venice in Pictures and Words By Chris Ceaser

This presentation, the last for the 2020/2021 season, was a brief history of the city and state of Venice from the 400's to the present day illustrated with his Chris’s own photographs and the works of artists through the centuries.

Chris divided his presentation into chapters - an introduction, Byzantine, Venetian Gothic, Hope and finally Sex! A really nice idea to lead us through the story of Venice. Particularly helpful was the 'plan' of the lagoon with Venice and the surrounding islands.

The city is built in a lagoon on thousands and thousands of trees driven into the mud with a level platform on top! Chris' images of these man made islands were a joy to see. The Byzantine period with their square windows and simple arches are to be found all over the city and indeed allow us to compare the paintings of Canaletto with a photo taken from the same spot today.

In the Venetian Gothic period, 1100 - 1450, Venice grew its wealth despite the fact they could not grow meat or veg! Instead they traded in salt, dried from the salt water of the lagoon. It was this period that the Ducal system began; such a good system of government that it lasted 1,100 years! Chris gave us the story of Enrico Dandolo, the Massacre of The Latins and the first Crusade including the Shameful Glory.

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Looking upon the landscape with new perspectives - Nic Stover

Yesterday evening Nic Stover a professional landscape photographer and tour leader gave another inspirational presentation to NDPS who were joined on this occasion by friends from Sheffield Photographic Society.

Nic had been to Norwich before, so this was his second visit by Zoom and he took the opportunity to make a different sort of presentation. Besides numerous examples of his work this time we also got to delve into logistics and planning – an opportunity to look behind the scenes and understand how Nic pulls his successful tours together

In the first part of his talk Nic explained what he called ‘five styles’ of landscape photography and in the second half he talked about planning and logistics. Talking about actually taking photographs he insisted that we should learn to be 'confident and consistent'.

Expounding on creativity in photography Nic spoke of the Wallace Model, preparation, incubation, illumination and verification. Each heading illustrated with beautiful photographs and accompanied with clear examples and explanations. After this he moved on to what he called intimate landscapes; plants, abstracts, night. The plant example was taken on an iPhone from a captured RAW image, beautiful.

After a short break Nic move on to tools for planning to be sure he could get it right in camera. His list of aids to planning was comprehensive - everything from Magic Seaweed to webcams, Google Maps, Gaia GPS, old photography books, campervan rentals and old fashioned spreadsheets to keep everything in check!

A capture clip harness and a handheld strap, a ‘aircraft compliant’ Lowepro back-pack, L brackets and a second camera with a lens attached were also in his must haves for photo shoots.

An exciting evening full of breath taking photography and packed with endless practical advice. Our thanks to Nic - over 60 people from Norwich and Sheffield enjoyed this excellent presentation.

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My World of Photography - Rory O'Connor

Yesterday evening we were treated to the Wonderful World of Rory O'connor's Photography, an ever changing world on the Southeast coast of Ireland - East Cork.

Rory introduced himself with his smooth Southern Ireland accent saying that he was for the most part self-taught and he played a short three minute slide show to give a flavour of what was to come.

A very practical photographer, he talked about planning for a seascape photographic expedition with the use of a range of data from Google Maps, TPE, Light Trace and Flicker. Plus as much information as possible about tides and the weather. Then there was protective equipment! Spare batteries, filters and travelling light. On arrival at the shoot check out the area first, look at the tide and wave patterns and appreciate what will be happening one hour from now.

We began on the Copper Coast with a series of outstanding seascapes and Rory's mantra 'There's always a shot if you work at it!'

Rory's favourite lens is an f2.8, 20mm prime, he always shoots in RAW, ISO 100, single spot focus and back button focus at f16.

We went to Ballycroneen and Ballycotton for another series of fantastic seascapes.

After the break we saw some portraits, mostly shot in natural light and often unplanned. Then on to Nature, which in Rory's case in birds; puffin, gannet, bluetit, sparrow and heron.

The evening came to a close with other mantras - 'Keep going back, that's the key' and 'There's always a shot!'

At Rory's request NDPS has made a donation of fifty Euros to his preferred charity; The Cork University Hospital, in lieu of a normal fee. Thank you Rory for an inspirational evening full of excellent advice and outstanding pictures.

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Maurice Young
Outstanding presentation by Ruth Grindrod on Colours, Tones and Textures

This presentation, a brand new format and content, from Ruth Grindrod one of the most enthusiastic and self-effacing photographers we have had the pleasure to host, was outstanding…!

Ruth explained at the opening of her piece that we were the first photographic club to be given this highly illustrated photo-talk and it was clear as the evening drew to a close that the online audience of nearly 60 members of the Society and guests had enjoyed themselves immensely. The content was more technical than usual, but this proved to be one of the most alluring parts of Ruth's presentation and many of us listening intently to the second part extended our knowledge of colour, tones and textures and found this a most enjoyable experience.

Ruth began with an outline of her kit, three cameras and sturdy tripods. Her Nikon 850 was the toughest camera of them all, a real heavyweight, which she always used in wet and windy weather but found the other two a Fuji xt3 and Fuji xt30 were excellent pieces of lighter weight kit.

Throughout her talk Ruth stressed the importance of taking photos we enjoy, not photos that are fashionable. Be your own person, don't copy others.

The whole presentation was divided into four parts; How colour tone & texture all influence and interrelate in any landscape photo; How to use colour tone & texture out in the field; How to process a RAW photo considering colour, tone & texture; Responding to CTT and considering if this is an emotional response.

We considered the questions; What is colour?; What is Texture? and What is Tone? All these backed-up with colour wheels and explanatory diagrams - all easily understood. This led to a discussion on the emotion of colour based on a quote from Ansel Adams 'A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed'. Understanding how colour, texture and tone all work together, are interrelated and influenced by the light we are working with.

A short piece on postproduction brought this presentation to a conclusion. An excellent evening covering a large area of photography but enthusiastically delivered with a deep understanding of the subject.

Thank you Ruth for such another outstanding talk and we look forwarrd to seeing you soon either on another visit to Norwich or out somewhere in the Norfolk landscape.

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Maurice Young
Six Great Yarmouth venues to host celebration of 'ahead of his time' artist

Being launched on Saturday, June 5, Great Yarmouth’s 'Finding Emerson Photo Festival 2021' plans to place Great Yarmouth within the history of photography and the work of the 19th century photographer Peter Henry Emerson.

Contemporary photographers, academics and curators have been invited to share their own understanding and practice with residents through a programme of seminars, break-out sessions, exhibitions and art installations.

The festival will provide people with the chance to discover more about P.H. Emerson, the history and development of photography as a whole, contemporary photographic approaches and the cultural heritage of Great Yarmouth.

The festival is a collaboration between Utter Nonsense and originalprojects and is being funded by Arts Council England.

Six Great Yarmouth venues will be used for different parts of the festival, including:

  • St George’s Theatre

  • Primeyarc Gallery, in the old Debenhams unit of Market Gates shopping centre

  • Skippings Gallery, on King Street

  • The Yare Gallery, in the old Nelson museum on South Quay

  • Time and Tide Museum

  • Utter Nonsense Studios, down Battery Road near the Barrack Estate

All events are free, apart from the seminars, where donations between £2 - £8 are being requested.

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The Power of Sport by Peter Milsom

Yesterday's presentation took us into the world of sport - field and track athletics, canoe slaloms, husky racing, wheelchair basketball and Paralympics. A kaleidoscope of activities which left us breathless!

Peter described his own years in sport and his move into photography. He began with photos of snow leopards, leopards, tigers from local zoos and private collections before moving on to all those sports activities showing athletes up to Olympic standard.

He asked us 'What makes a good sport photograph?' The photo must demonstrate three distinct things - firstly, Effort; secondly, Drama; and thirdly; Emotion. All three must be present for the image to be worthwhile. And he went on to produce photos demonstrating all these things, with top quality athletes taking part in pole vaulting, high jumping, steeple chase, marathons and so on.

Peter said that he liked to be outside in good weather and not freezing cold, soaking wet or boiling hot. But even worse than these drawbacks was being inside a swimming pool trying to capture swimmers - the heat, the steam, the water and so on!

Canoe slaloms are outside, but they have a special set of problems caused by 12 tons of water per second travelling down the course, removing background problems (blocks lining the course) and perhaps the worst of all, canoes with two paddlers! And while the medium is water how about Jet Ski racing and Freestyle competitions. Trying to keep up with a jet ski capable of 0 to 60 in 2 seconds and five consecutive back flips definitely needs the burst mode and 10 fps.

Peter had high praise for the wheelchair athletes and showed great pictures, often in the rain, of competing athletes.

He mentioned the dedication of all athletes and particularly the wheelchair and Paralympic athletes and he quoted one such person - Hannah Cockroft 100M 'Loosing scares me more than winning excites me'

Hannah’s career highlights include PARALYMPIC GAMES 5 Gold - 2012 & 2016 - T34 100M / 2016 - T34 400M & 800M / 2012 - T34 200M
WPA WORLD CHAMPIONSHIPS 12 Gold 2011, 2013, 2015, 2017 & 2019 - T34 100M (5), 200M (2) 400M (2), 800M (3)
WPA EUROPEAN CHAMPIONSHIPS 2 Gold 2014 & 2018 - T34 100M & 800M / T34 800M and 1 Silver 2018 - T34. That's determination and motivation...!

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Pole to Pole Through Africa - Renato Granieri

Last night's Special Presentation was jointly produced by Old Coulsden Camera Club and NDPS and was attended by a large number of the members from both societies.

Renato divided his presentation into two halves covering the poles, both North and South, before the break and then Papua New Guinea and Sierra Leone after the break. This meant a cold (-30 degree) first half and a hot equatorial climate for the second..!

But the Poles first - there were some great pictures of penguins, Antarctic birds, and landscapes. Renato's style of experimenting with exposure, high key and low key, shone through these images and produced admiration in the audience when he explained that it was done in-camera with very little postproduction work. It was while he was showing this series of pictures that he offered some excellent advice, 'When you are on a shoot ask yourself, "Why am I taking this picture?"'

The first part concluded with his Top Tips - Keep it Simple; Understand Your Subject; Look for new angles - Move Around; Maximise your time and keep going back..!

The final part was Putting a Story Together. His work for the Papua New Guinea Tourist Board to promote the country as a destination. Here he showed a series of portraits, even using a fish eye lens for a dance routine.

In Sierra Leone he worked in a chimpanzee sanctuary, illustrating this part with some great pictures including emergency rescues of chimps offered for sale in the street.

Again, he concluded with some Top Tips. Understand your camera; Be creative; Be different and get inspired.

An excellent evening with lots of technically good and heart-warming photos from around the world.

We look forward to Tuesday 18th May when the members of OCCC and NDPS will hold their first joint Members’ Evening which will gives us a much better opportunity to learn more about each other.

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Nightscapes and Light Painting Richard Tatti

The alarm rang beside his bed at quarter past four on Wednesday morning and Richard Tatti, 10,341 miles away in Bendigo, Victoria, Australia, got dressed and tumbled into his office to make this presentation to over 40 members of Norwich and District Photographic Society at 7:30pm on Tuesady here in the UK.

And what a great presentation it was, to begin with he showed us a range of night photographs which included the Milky Way, several trees, both dead and alive, pictures from the Grampians National Park. Richard confessed his love of photographing trees after dark. There were perfect shots of the Milky Way core, caves in the mountains and all sorts of abandoned machinery making beautiful, carefully lit images. Panoramas of the night sky, time lapse and Star Tracker all were areas of Richard's expertise.

After the break he offered heaps of very practical guidance - scout locations in daylight, mark locations on GPS to find them after dark, learn the manual modes so you can set up the camera in the dark, double check focussing, think creatively and many more.

Manual focus adjustment is all important, finding infinity, and double checking it! White balance, he changed this setting depending on the scene, using 3,450 to 5,000k. But the basic requirements for night photography were a dark sky(!), camera, Tripod and light. Some of the things that got in the way could be fear of the dark, can't find locations, inadequate equipment and lack of confidence.

Richard concluded with notes on panoramas and photo stacking.

Our thanks for an inspiring evening packed full of tips and advice all delivered in a friendly and accessible way. Now I'll get out my Canon 6D Mark II, my 50mm lens and I can expose for 6 seconds before stars begin trailing because the camera is full frame, and I'm all set for a great night shoot…!

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Monthly Image Competition Announced...

A brand new monthly photographic image competition, born in the white heat of the recent Open Forum and now available for every single member to enjoy.

  • The competition will open on the first of each month and will close on the 24th of the month.

  • Each month the judge will select his/her personal pick and will give a few words explaining their choice.

  • The winner will choose the next theme AND be the next judge..!

  • There are absolutely no prizes but the winning image will be displayed on the website together with a gallery of that months entries.

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