Posts in Special Presentation
Sports Photography with Impact by David Keep

We think this presentation should be re-named, The Agony and The Ecstasy! The title of a biographical chronicle of Michelangelo and the opposition he faced from Pope Julius II while painting the ceiling of the Sistine Chapel. Last night we had a modern day Michelangelo presenting to NDPS!

This was David's third presentation to this Society and that alone surely indicates how good he is!

He said that all his photography is project based and his thought process went through the following stages: visualise, plan, shoot and finally process. He said he wanted to be in control of his processes.

He listed some sports that were easy to photograph - tennis, white water canoeing and cross country horse jumping. More difficult sports were athletics, squash, contact sports and speed skating.

His images were taken for competitions only and were not really a romantic view of drama. He looks for peak action for the maximum impact and the maximum return on effort. Predictability was the keystone, and he compared the long jump with rugby. The long jump is predictable, every competitor runs the same distance and lands in the same pit - predictability! A game of rugby, by contrast, cannot be predicted. Who knows where the players will be, where the scrums and lineouts will be!

David showed pictures of freestyle kayaking, an easy sport to photograph, providing it was not on a real river where the chances of that killer shot would be elusive.

His pictures of horses jumping hedges were dynamic, strong, and sharp and his favourite technique of putting a camera on the ground and photographing up towards the horse and rider produced some great shots.

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Mastering Long Exposure Photography by Antony Zacharias

Mastering Long Exposure Photography

Last evening Antony gave us his presentation on long exposures. He promised to give us a focus on wide ranging aspects of long exposure work including night-time images, neutral density filters and a wealth of hints and tip to improve long exposure photography.

Well, he kept his promise..!

His explanations together with a fantastic set of photographs were an inspiration to landscape photographers and, I suspect, photographers from other genres..!

He began simply by setting out a two part definition of the use of long exposure:

1. where there is a shortage of available light and

2. a deliberate and creative use of extended shutter speed.

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Creative Techniques by Glenys Garnett

Creative Techniques
Photography is a visual art that begins before you pick up the camera

This week on Tuesday evening Norwich & District Photographic Society were treated to a inspirational special presentation - Creative Techniques, by Glenys Garnett.

Why haven't I used these techniques? Glenys' results were breath taking. Of course I've used multiple exposures but not with blend modes!

Glenys began with a short introduction of herself, revealing that her background was in graphic design and IT. She said she was interested in landscape and nature and particularly floral photography. She said that many of her images were abstract and two important points were that mostly the capture was in camera and the end result created an impression, that is structure, shape, and form rather that a record shot.

Glenys, throughout her presentation, explained technique, and approach and in every case showed examples, and what stunning examples they were.

She said that photography was a creative visual art and that the whole process began before she picked up the camera - visualisation, capture, technical skill, processing and developing. She quoted Cartier-Bresson 'Think about the photo before and after, never during.' Being creative was a mindset and all about seeing, exploring and discovering ways of expressing yourself. Ask yourself; Why am I doing this? What am I trying to say or show?

Techniques do not make you creative, you must express yourself, play and experiment, develop ideas and visions.

Glenys was on a roll and in the second part of her presentation she focussed on intentional camera movement (ICM) and multiple exposures (ME). For ICM shots she recommended not to use small apertures, use ND filter, manual focus hold the camera still then move it.

For ME shots she described the different blend modes available in today’s cameras and the effects they produce. Of course these explanations were accompanied by her own wonderful examples.

This review barely scratches the surface of the information offered and falls short of describing the enthusiasm of Glenys for her hobby. So much to assimilate and so much to practice.Creativity is hard but she finished her presentation with the exhortation HAVE FUN

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Special Presentation by Eddie Hyde FRPS

Making Sense of the Landscape - The Art of Seeing
A personal take on Landscape Photography

Yesterday's special presentation was all about landscapes and the art of choosing not only a subject but choosing all the elements of a composition. Eddie is clearly a consummate photographer and this expertise is the result of carefully 'seeing' what's in the viewfinder and making a multitude of decisions.

“Landscape photography is the supreme test of the photographer and often the supreme disappointment”

— Ansel Adams

Eddie began with the key criteria of landscape photography - the rules of composition and key elements. Composition, does 90% of the work in a good photograph but remember lighting, atmosphere and keeping it simple! Eddie showed many examples of simplicity with some remarkable subjects: planes, castles, beaches and storms.

Make use of leading lines and as examples he showed fields, railway lines and other compositional devices including the path to nowhere, the river to nowhere and the road to nowhere!

Another gem of an idea was to ask yourself 'Is there more than one picture within the view?' Eddie enlarged on this theme by explaining his use of different focal lengths - 50 to 200 mm, 109 to 500 mm to select different compositions.

Moving forward to woodland captures Eddie invited us to embrace the chaos and be aware of the power of light. Also he said use the marcescence of beech leaves especially when combined with mist and fog. Mist and light in woodland are heaven on earth!

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Special Presentation by Bob Johnson ARPS

The Kingdom of The Ice Bear
Tuesday 22nd February.

This evening members of Norwich & District Photographic Society were all entertained by an inspirational story of arctic adventure illustrated by some outstanding photographs. The presentation by Bob Johnson was a description of his four week trip inside the Arctic Circle in the Svalbard area in the former seal hunter ship called Havsel and captained by Bjorn Kvernmo to the Kingdom of the Ice Bear!

Bob began by telling how he started photography, fell in love with Africa (he has been there 14 times now!), talked of his farmers photos in Essex but quickly moved on to this evening's presentation in the far north of Norway. The boat he was on had previously been used for seal hunting, capable of hunting and killing 1,500 seals on a trip, but today Captain Bjorn is now passionate about wildlife.

At the start of the trip there was a lack of bears and they sailed along the edge of the ice where Bob had some amazing views from the crow's nest. Suddenly they spotted a dead whale and 21 bears. The view was amazing, 21 polar bears all together in one spot was a record even for the captain, but the horrible, rancid smell . . . Later a mother bear and two cubs were spotted, and the photographers watched them for a couple of days, just long enough for the bears to get used to the ship and come closer and closer allowing some breath taking photography.

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Special Presentation by James Rushforth

Exploring the Italian Dolomites and Iceland
18th January 2022
This Season Norwich & District Photographic Society has joined forces with Old Coulsdon Camera Club in South London to jointly present outstanding photo-talks by inspirational photographers from around the world. This evening more than 60 people 'Zoomed in' for a breath-taking tour of The Dolomite mountains of Northern Italy and also Iceland.

James Rushforth is a full time professional photographer, he began 12 years ago with his first camera, and he has managed to find a niche in the landscape market; climbing, ski mountaineering and mountain guide books. And what exciting pictures he showed us, even those pictures he took with his first camera were great. He explained that his technique improved over time, not just composition but in post processing also.

There were names to conjure with peppered throughout this presentation, the Tre Cima, Marmolada and the via ferrate, grades one to five! These are all big excursions in the world of climbing but James went on to discuss winter ice climbing on ice falls, the difficulties of good camera work in the winter and ski mountaineering or ski climbing! These were all photographs to set your heart racing, views of ski routes down very, very narrow couloirs and his final 'silly sport' - slacklining. Four hundred meters in the air and walking on a piece of one inch wide webbing. He said it looks terrifying but in fact it's not! Well each to his own, I'll leave it to James.

But it wasn't all mountains in the Dolomites, he had lovely pictures of a dragonfly, a lady's slipper orchid and some enchanting night photography including a shot of the galactic core over the Tre Cima.

After the break we went to Iceland where James ran wild photography courses and produced another book, this time Iceland. He had pictures of sailing ships with icebergs and pictures of his own live-in Fiat long wheelbase van. Not all easy living when the weather confined you to the back of the van for several days!

Nevertheless, he displayed lots of landscape pictures of Iceland plus several pictures of arctic foxes, reindeer, and arctic terns. Not only that he found an abandoned herring factory which proved very photogenic.

He talked of the 'lunar' landscape, geothermal vents and the northern lights and brought his presentation to an end by describing his drone photography and showing us his complete kit and equipment.

An excellent photographer and some quite amazing images. We are indebted to both James and Old Coulsdon for hosting a riveting evening.

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Starting with a Blank Canvas by Polina Plotnikova

Yesterday evening, 4th January, Polina Plotnikova opened the 2022 season at NDPS with a presentation of her work featuring creative flower portraiture and still life photographed in both a studio and her home. She studied fine art in a Moscow university and her photography was then only a hobby, but this grew into a profession and obsession.

Polina gave us several examples of old masters who had inspired her, European artists of the 17th to the 19th Century, but her inspiration extended to include the Impressionists; Van Gogh; Claude Monet and Bobbie Burgers.

She said that her approach to studio flower photography was to treat the exercise as a portrait photograph. Her pictures were not flower arrangements but individual flowers or very small groups of blooms. She explained that many of her photographs were focus stacked and taken using a variety of lenses including those from Lensbaby.

Her lighting diagram was two lights, a camera on a tripod plus a tethered laptop. She said that she preferred to spend time with her camera rather than Photoshop, always capturing exactly what she saw on the back of the camera without the need for lengthy work on the computer after the shoot.

The second part of her presentation was called 'Still Life'. Again, she explained that in the studio she, the photographer, was in control of everything so that no one could be blamed for mistakes, this compares with outside shoots where the light varies, there can be rain and there can be people to walk into the shot.

Polina showed herself to be very exact in her compositions citing an example of a two year wait to find a particular prop! Plus, the invaluable piece of advice for anyone who wants to try this type of photography - 'don't get rid of your old ironing board'!

Thank you Polina for an absorbing presentation and a collection of outstanding photographs as well as a brilliant start to the New Year.

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The End of the Mine by Chris Upton

The last of our regular Special Presentation of 2021 was a hugely inspirational talk by Nottinghamshire based photographer Chris Upton. Chris is a landscape, travel and social documentary photographer and his presentation led us through all these areas and much, much more.

This was a walk through Chris' project documenting the last months of Thoresby Colliery in Nottinghamshire. What began as a simple project shooting a record of a mine, albeit not being allowed to go underground, bloomed into something much bigger and grew into an exhibition and a book, not to mention the AV and local radio and television.

This long journey was carefully, researched and choreographed by Chris including making meaningful relationships with the miners working on the site. The important point Chris was making was that a project, leading to a collection of photographs or even a book of pictures was a much better exercise that taking one photo to gain 10/10 from a judge!

The photographs that Chris showed us were wonderful examples of the art of black and white photography, because that’s what they were, he explained that If they had been in colour we would have all had our attention stuck on the orange workwear and missed the important vistas in the background.

All the pictures were shot in RAW, of course, converted into black and white and the postproduction was in Nik or Lightroom. And what wonderful results they were, Chris showed himself to be a consummate photographer and postproduction expert.

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Inspirational Special Presentation by Douwe Dijkstra (‘Dex') from Sydney Australia.

My Street Photography

This week NDPS members were very happy to receive a breath-taking presentation from Dex, a professional graphic designer and an 'amateur' photographer living and working in Sydney, Australia. Dex took us through his life and his all-consuming 'hobby'.

The standout features from this presentation were firstly that Dex only used an iphone camera and secondly only produced black and white images - probably a difficult set of parameters for the average photographer but for Dex, not a problem.

Dex's initial photographic inspiration was drawn, when a child, from his grandfather's camera and photos, and these inspirations have lasted the whole of his life. He talked of his journey through film, DSLRs and finally only using iphones. He said that his work as a graphic designer was separate from his photography but stood him in good stead from a compositional point of view.

He catalogued his photo collection using headings such as Beautiful Light, Creative Captures, Layered Composition, Graphic Shapes, Reflections and Decisive Moments. For each of these headings Dex displayed a whole series of his photographs. These pictures included those he selected for publication in his own book, #mysydney and those photographs selected by Photography Magazine for his award Photographer of The Year.

Dex left us with the exhortations to be inspired, be creative, follow our instincts, think outside the box, break the rules and most important of all Do Have Fun..!

A tremendous evening of first rate photography and, judging by the questions asked at the end of the presentation and by those comments left in the comments box, an outstanding evening enjoyed by well over forty members of the Society.

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Infrared Photography by Derek Michalski

On Tuesday evening Derek shared his enthusiasm and love for infra-red photography with us. But he said he was not a technical photographer and his passion for photography began in his childhood with a Russian plastic camera when he was only 12 years old, but this cheap camera fired his imagination and then later in life he studied philosophy, and this guided his own particular and special approach to taking photographs. Everything is made up of atoms and everything is related.

Derek thanked Robert Williams Wood who invented IR (and ultraviolet) photography in the 1800 s. It is very important to remember that we are not photographing visible light with these IR cameras and that's why post processing is very difficult to grasp if you are working on your own. But the colours are false, of course, and there are many opportunities to just have fun with colour.

This idea of having fun and above all experimenting with filters and post processing were a theme running through Derek's presentation.

He showed us a series of photographs of trees and woodlands, olive trees from a garden centre and city centre shots! What a breath taking selection of beautiful images.

After the break we went to one of Derek's favourite places, a cemetery - here, he said, he felt at home and surrounded by endless opportunities for IR. This was followed by a whole series of photographs of clouds, seascapes and a landscape of Stone Henge!

Derek rounded off his presentation by offering 'The Best Of', some of his favourite photographs - Cambridge, abroad and a very happy cow!

Practice makes perfect was his last injunction and it was apparent to us all that here was a photographer who had practised a great deal. Our thanks for an instructive, informative and entertaining evening.

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Review of last night's outstanding photo-talk by Panikos Hajistilly

His website tells us that Panikos has won dozens of National Awards with his imagery, including the prestigious MPA Master Photographer of the Year in 2017/18, a Fellowship with the Master Photographers Association, a Master Craftsman with the Guild of Photographers and a Fellow with the SWPP and the BIPP.

The NDPS programme billed Panikos like this - 'Tonight we look forward to a Masterclass as Panikos discusses his workflow from capturing the images all the way through post production to the final images for viewing by the client.'

And what a night it was for understanding the creative viewpoint of the photographer and the nitty gritty work of painstaking post-production. Panikos made it clear that before he shoots a picture, be it studio or outside, he knows how he wants the image to look and he also knows how the model wants it to look! He took us through a couple of model shoots and began by showing how he selected, discarded and kept images in his system and then he moved on to demonstrating his photoshop techniques.

We all know that with Photoshop there are always different techniques to achieve a similar result, but Panikos demonstrated his best and most workable ways of producing outstanding images in a manner that was easy to understand and simple to follow. Slowly, slowly, layer by layer, his images leapt into life.

The two groups of NDPS, one at home and the other at our new Bluebell Road venue, listened and watched intently and came away with lots of new ideas and things to try for themselves. Our thanks to Panikos for a very practical evening and for a brief insight into the workings of this remarkable photographer.

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60 Minutes in Mumbai's Dhobi Ghat by Michael Chinnici

Last Tuesday evening evening Michael Chinnici, whose home is in New York, gave his presentation from Bolsano, in Northern Italy, where he is supervising the print and production of his next book - Vanishing Cuba

The Dhobi Ghat is used throughout south-central Asia to refer to any laundry-place or washing-place where many launderers or clothes-washers work; they may be ordinary people or professionals (traditionally men) who use the place to wash clothes and other linen.

Mumbai has an extensive dhobi ghat (there are several other dhobi ghats in Mumbai!)

It was here in the extensive Dhobi Ghat that Michael spent just over an hour with one camera, and one lens. He took a whole series of pictures in black and white which, of course, he could view in black and white on the camera screen but all the colour information was still there in the RAW file. The final pictures he had made in mono were not only outstanding pictures, but all told a story. The Dhobi Ghat is run along the caste system lines, you are born into the ghat, work in the ghat and that is your life.

Michael's photographs illustrated the life and work of the workers, the people who work there also live there. So, we saw pictures of people washing clothes by hand, people ironing, cooking and just relaxing. Many of these pictures were environmental portraits where the person was just as important as the background. And in the background so many times was the ubiquitous wall calendar offered as a gift by a politician.

He explained that all the photographs were handheld, all used natural light and none were taken on a tripod. All were processed in Lightroom and Silver Effects from the Nik Collection using Topaz to de-noise as a first process.

In the Q and A period Michael offered some good advice on street photography including a technique he has used himself, giving his camera for a subject to look at and try, to gain confidence - if I can trust you with my camera, you can trust me with your image!

Our thanks, Michael, for an interesting and instructive evening.

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Urban Exploration to Fine Art - Viveca Koh's Photographic Journey

Yesterday evening Viveca Koh presented the second special presentation of the season. This was an evening unlike any other, a wide ranging collection of images and explanations, a journey into the world of Viveca road mapped by her photography.

She began with an explanation of how she was a self-taught photographer and told us of her different cameras including her iphone. Her qualifications are impressive; LRPS, ARPS and FRPS and FIPF which clearly show that she is an outstanding photographer.

She immediately moved into the area that is her speciality - UrbEx, urban exploration. She led us through several abandoned mental hospitals and abandoned mortuaries. Crumbling buildings falling into decay and suffering the ravages of weather and time but nevertheless offering opportunities for Viveca to feature her love of the smaller elements she came across and making photographs of these in her, almost trademark, square format. These pictures, always beautifully framed and composed, had the power to induce some unease in the viewer’s mind. So, for example, the carefully photographed body of the desiccated squirrel and the photograph of a fully made bed on an iron bedstead brought the audience up with a start.

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At the bottom of our Garden - Jayne Odell FRPS, FIPF opens the Autumn Season

Last night nearly 55 people, including some of our friends from Old Coulsden Photographic Society, London, were treated to a feast of black and white images from Jayne Odell based on her attainment of both ARPS and FRPS from the Royal Society. All presented under the heading of At The Bottom of Our Garden!

Jayne began by outlining how her interest in photography was fired. Like many of us she began with landscape photographs from family holidays, in her case the Lake District, before later moving on to club photography, exhibitions, salons and finally RPS distinctions.

She showed us her kit, Nikon full frame SLR plus 5 lens' and now more often Fuji mirrorless plus 2 lens'

Jayne attempted the Associateship first following an advisory day, which means 15 pictures and a Statement of Intent. Success!

But having achieved Associateship was Fellowship possible? She held back but continued to enjoy taking photographs! She moved to Newmarket and found a stables at the bottom of her garden and became intrigued with the morning 'runs' and the regular workings of a stables. Then, quite by chance she met the trainer, Charlie Fellowes who wanted photos of his horses, and this led to a long standing relationship between the racing stable and the photographer. Jayne began to photograph everything from before dawn when the first string of horses head out to exercise on the Heath to all the candid behind the scenes shots of the teamwork that is so evident around the yard.

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Venice in Pictures and Words By Chris Ceaser

This presentation, the last for the 2020/2021 season, was a brief history of the city and state of Venice from the 400's to the present day illustrated with his Chris’s own photographs and the works of artists through the centuries.

Chris divided his presentation into chapters - an introduction, Byzantine, Venetian Gothic, Hope and finally Sex! A really nice idea to lead us through the story of Venice. Particularly helpful was the 'plan' of the lagoon with Venice and the surrounding islands.

The city is built in a lagoon on thousands and thousands of trees driven into the mud with a level platform on top! Chris' images of these man made islands were a joy to see. The Byzantine period with their square windows and simple arches are to be found all over the city and indeed allow us to compare the paintings of Canaletto with a photo taken from the same spot today.

In the Venetian Gothic period, 1100 - 1450, Venice grew its wealth despite the fact they could not grow meat or veg! Instead they traded in salt, dried from the salt water of the lagoon. It was this period that the Ducal system began; such a good system of government that it lasted 1,100 years! Chris gave us the story of Enrico Dandolo, the Massacre of The Latins and the first Crusade including the Shameful Glory.

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Looking upon the landscape with new perspectives - Nic Stover

Yesterday evening Nic Stover a professional landscape photographer and tour leader gave another inspirational presentation to NDPS who were joined on this occasion by friends from Sheffield Photographic Society.

Nic had been to Norwich before, so this was his second visit by Zoom and he took the opportunity to make a different sort of presentation. Besides numerous examples of his work this time we also got to delve into logistics and planning – an opportunity to look behind the scenes and understand how Nic pulls his successful tours together

In the first part of his talk Nic explained what he called ‘five styles’ of landscape photography and in the second half he talked about planning and logistics. Talking about actually taking photographs he insisted that we should learn to be 'confident and consistent'.

Expounding on creativity in photography Nic spoke of the Wallace Model, preparation, incubation, illumination and verification. Each heading illustrated with beautiful photographs and accompanied with clear examples and explanations. After this he moved on to what he called intimate landscapes; plants, abstracts, night. The plant example was taken on an iPhone from a captured RAW image, beautiful.

After a short break Nic move on to tools for planning to be sure he could get it right in camera. His list of aids to planning was comprehensive - everything from Magic Seaweed to webcams, Google Maps, Gaia GPS, old photography books, campervan rentals and old fashioned spreadsheets to keep everything in check!

A capture clip harness and a handheld strap, a ‘aircraft compliant’ Lowepro back-pack, L brackets and a second camera with a lens attached were also in his must haves for photo shoots.

An exciting evening full of breath taking photography and packed with endless practical advice. Our thanks to Nic - over 60 people from Norwich and Sheffield enjoyed this excellent presentation.

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The Power of Sport by Peter Milsom

Yesterday's presentation took us into the world of sport - field and track athletics, canoe slaloms, husky racing, wheelchair basketball and Paralympics. A kaleidoscope of activities which left us breathless!

Peter described his own years in sport and his move into photography. He began with photos of snow leopards, leopards, tigers from local zoos and private collections before moving on to all those sports activities showing athletes up to Olympic standard.

He asked us 'What makes a good sport photograph?' The photo must demonstrate three distinct things - firstly, Effort; secondly, Drama; and thirdly; Emotion. All three must be present for the image to be worthwhile. And he went on to produce photos demonstrating all these things, with top quality athletes taking part in pole vaulting, high jumping, steeple chase, marathons and so on.

Peter said that he liked to be outside in good weather and not freezing cold, soaking wet or boiling hot. But even worse than these drawbacks was being inside a swimming pool trying to capture swimmers - the heat, the steam, the water and so on!

Canoe slaloms are outside, but they have a special set of problems caused by 12 tons of water per second travelling down the course, removing background problems (blocks lining the course) and perhaps the worst of all, canoes with two paddlers! And while the medium is water how about Jet Ski racing and Freestyle competitions. Trying to keep up with a jet ski capable of 0 to 60 in 2 seconds and five consecutive back flips definitely needs the burst mode and 10 fps.

Peter had high praise for the wheelchair athletes and showed great pictures, often in the rain, of competing athletes.

He mentioned the dedication of all athletes and particularly the wheelchair and Paralympic athletes and he quoted one such person - Hannah Cockroft 100M 'Loosing scares me more than winning excites me'

Hannah’s career highlights include PARALYMPIC GAMES 5 Gold - 2012 & 2016 - T34 100M / 2016 - T34 400M & 800M / 2012 - T34 200M
WPA WORLD CHAMPIONSHIPS 12 Gold 2011, 2013, 2015, 2017 & 2019 - T34 100M (5), 200M (2) 400M (2), 800M (3)
WPA EUROPEAN CHAMPIONSHIPS 2 Gold 2014 & 2018 - T34 100M & 800M / T34 800M and 1 Silver 2018 - T34. That's determination and motivation...!

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Pole to Pole Through Africa - Renato Granieri

Last night's Special Presentation was jointly produced by Old Coulsden Camera Club and NDPS and was attended by a large number of the members from both societies.

Renato divided his presentation into two halves covering the poles, both North and South, before the break and then Papua New Guinea and Sierra Leone after the break. This meant a cold (-30 degree) first half and a hot equatorial climate for the second..!

But the Poles first - there were some great pictures of penguins, Antarctic birds, and landscapes. Renato's style of experimenting with exposure, high key and low key, shone through these images and produced admiration in the audience when he explained that it was done in-camera with very little postproduction work. It was while he was showing this series of pictures that he offered some excellent advice, 'When you are on a shoot ask yourself, "Why am I taking this picture?"'

The first part concluded with his Top Tips - Keep it Simple; Understand Your Subject; Look for new angles - Move Around; Maximise your time and keep going back..!

The final part was Putting a Story Together. His work for the Papua New Guinea Tourist Board to promote the country as a destination. Here he showed a series of portraits, even using a fish eye lens for a dance routine.

In Sierra Leone he worked in a chimpanzee sanctuary, illustrating this part with some great pictures including emergency rescues of chimps offered for sale in the street.

Again, he concluded with some Top Tips. Understand your camera; Be creative; Be different and get inspired.

An excellent evening with lots of technically good and heart-warming photos from around the world.

We look forward to Tuesday 18th May when the members of OCCC and NDPS will hold their first joint Members’ Evening which will gives us a much better opportunity to learn more about each other.

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Nightscapes and Light Painting Richard Tatti

The alarm rang beside his bed at quarter past four on Wednesday morning and Richard Tatti, 10,341 miles away in Bendigo, Victoria, Australia, got dressed and tumbled into his office to make this presentation to over 40 members of Norwich and District Photographic Society at 7:30pm on Tuesady here in the UK.

And what a great presentation it was, to begin with he showed us a range of night photographs which included the Milky Way, several trees, both dead and alive, pictures from the Grampians National Park. Richard confessed his love of photographing trees after dark. There were perfect shots of the Milky Way core, caves in the mountains and all sorts of abandoned machinery making beautiful, carefully lit images. Panoramas of the night sky, time lapse and Star Tracker all were areas of Richard's expertise.

After the break he offered heaps of very practical guidance - scout locations in daylight, mark locations on GPS to find them after dark, learn the manual modes so you can set up the camera in the dark, double check focussing, think creatively and many more.

Manual focus adjustment is all important, finding infinity, and double checking it! White balance, he changed this setting depending on the scene, using 3,450 to 5,000k. But the basic requirements for night photography were a dark sky(!), camera, Tripod and light. Some of the things that got in the way could be fear of the dark, can't find locations, inadequate equipment and lack of confidence.

Richard concluded with notes on panoramas and photo stacking.

Our thanks for an inspiring evening packed full of tips and advice all delivered in a friendly and accessible way. Now I'll get out my Canon 6D Mark II, my 50mm lens and I can expose for 6 seconds before stars begin trailing because the camera is full frame, and I'm all set for a great night shoot…!

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Underwater Photography 2 by David Keep

David returned to NDPS with his second spine chilling presentation on Thursday night. The last time he was here he left us looking into the eyes of a crocodile he was photographing! It would seem madness to be so close to an animal that has not changed for 150 million years and is the closest thing possible to a dinosaur. But David was there with his camera and his Go-Pro.

We arrived at the crocodile after a long list of other big creatures. He began with the personable manatee in Florida, a creature that could grow to 4 meters and reach 1.5 tonnes but would not tolerate water temperature below 20 degrees C.

From Florida we made the trip to the Gulf of Mexico where David showed his photos of the 10 meter, 20 tonne Whale Shark, hoovering food through its mouth and out through its gills. Enormous beautifully marked creatures. Then on to Hammerhead Sharks off the coast of Miami. Rather ugly creatures but the second largest shark.

Dave explained how he used a canine hydrotherapy pool to photograph Thai the dog and next we were off the Farne Island of Northumberland with the Atlantic Grey Seals with their exceptionally sensitive whiskers used to decipher vibrations in the water left by fish!

Off to Cuba for the crocodiles and finally David told the story of his award winning shot of gannets feeding underwater. Another set of stunning images and another story of determination and courage to get the shots.

This Thursday eNDPS event was attended by our friends from Sheffield Photographic Society and Old Coulsden Camera Club - Thank you for joining us…!

Our thanks to David for yet another evening of adventure and outstanding photography.

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