Woodland ways by Paul Mitchell FRPS

On Tuesday evening Paul Mitchell presented the love of his life, woodland photography throughout all the seasons. And what a beautiful collection of images these were.

Paul began by telling us of his connections with East Anglia mentioning holidays in Southwold and many visits to Norwich. He said how lucky we were to live in such a wonderful area, and he is right! He told us that he is a graphic designer, and that photography was a hobby, an outlet and an escape, but what a shock to be told that he had gained his Fellowship of the RPS using a pinhole camera! The moral here is that lots of expensive equipment and gadgets are not needed to achieve happiness and excellence in photography.

Paul got his inspiration from several landscape painters; Turner, Sandby, Bierstadt and from a selection of photographers; Peter Demberkis, Shinzo Maeda and Christopher Burkett, and he advised that we also should study their work. As well as this he listed his woodland kit which was interesting because of the lack of a wide angle lens, however, 70 - 200 lens and a good polariser were essentials. He talked of composition and reached decisions by asking the question 'Would I hang it on my wall?' and if the answer was 'No, I would not' then walk away!

The first half of the presentation was devoted to his photographs, and these were themed with the seasons. A really outstanding idea for a presentation and allowing a wonderful collection of early morning shots daytime and also evening shoots. Included in this cornucopia of plenty were a collection of outstanding infra-red pictures.

The second half Paul devoted to explaining how he processed his images using Lightroom and Photoshop, time filled with many good tips and explanations all delivered in a very comprehensible and enjoyable form.

 Many thanks to Paul for an excellent evening. Now, what's the forecast for tomorrow morning, snow, mist, fog? Where's my polariser?

Read More
Maurice Young
An Indian Adventure by Alan Cameron ARPS

This week at our Tuesday meeting Alan Cameron recounted his pre-pandemic holiday in India, he described it as his travelogue. And what a feast of art, history and photography this presentation proved to be.

 Alan divided his presentation into two parts, part one featured the north of India, the 'Golden Triangle' and Ranthambore National Park, and after the break he moved south to Karnataka and Kerala.

 After a late arrival in Delhi Alan showed us pictures of the terrible traffic and driving manners, highlighting the Tuk Tuk donkeys, sacred cows and the ubiquitous camel!

 The India Gate, commemorating the fallen of both world wars and the mosque were beautifully photographed and presented. These formal photographs were contrasted with pictures of street markets including artisans with tools of their trades, and collections of foodstuffs, nuts, cloves and so on.

 e Gandhi monument built on the site of Gandhi's cremation was an interesting building. World Heritage sites are abundant in India and the tomb of the second Mogul Emperor with its Paradise Gardens with its rivers of water, honey, milk and wine. A land flowing with milk and honey!

 In Agra Alan showed pictures of the famous Taj Mahal with its tomb and paradise gardens.

 In Ranthambore Alan found the famous Indian Tigers and he took some great pictures but not without some trepidation because firearms are not allowed for the guides in their open jeeps.

 Thanks Alan for a wonderful evening.

Read More
How I take my portraits by Lee Sutton

Tuesday evening's Special Presentation came from Blackburn in Lancashire and was delivered by Lee Sutton who has a list of achievements after his name stretching almost to Norwich!

Overall his talk was easy to follow and informative, full of explanations and examples. He began with a very short outline of his camera and lenses before moving on to the thought provoking 'reasons why your pictures are not as good as they could be'.

There then followed a list that all photographers have to grasp if they are to improve their images: know your camera; practice, become part of your camera; understand the basics of exposure; pay attention to composition; study other photographers, not just the greats but others in your club; understand light; if possible include a story in your picture; hold the camera properly and finally get your photos critiqued.

Lee continued with examples of composition including the importance of 'thirds'; cropping; filling the frame; leading lines; triangles; backgrounds and so on.

He showed us many examples of shots taken in a studio where he had total control of the lighting the pose and properties and followed with a set of shots taken in natural sunlight.

Then he showed how he edited a headshot in Photoshop, slowly clearly and succinctly.

He outlined some of the problems associated with location shoots, the weather, locations and unhappy models.

His recap included the advice to talk to the model, keep poses simple, check backgrounds for distractions, use suitable depth of field and finally he talked of camera care. If your camera is not clean and dust free there will be problems with the pictures you take.

We are grateful to Lee for an evening of down to earth advice and endless tips for producing better photographs.

Read More
Seeing in Black and White by Eileen Rafferty

This evening from the far north of the United States, not so far from the border with Canada Eileen delivered her lecture on seeing in black and white. Her background was in film, and she was a full time darkroom technician in her early work life, and she mused how black and white was still an alluring form after 200 years or so.

Eileen was keen to point out at the very start that black and white conversion was definitely not a way to 'save' a picture! She said that a photograph was in two parts - form and content, the form is visible, and the content tells the story or concept or meaning. Inspiration can be drawn from early photos.

Using these old pictures we can ask 'Why black and white?', what is contrast and where is the eye of the person looking at the picture being drawn and why. Black and white images eliminate the dominance of colour and bring attention to content. The image is more homogenous in black and white, more dramatic! Obviously black and white is a departure from reality because colour is 'everyday'.

Read More
Autumn Season opens with outstanding new talk by Ruth Grindrod

Opening Presentation for the new Autumn season = Scotland - Looking Beyond and Within

Norfolk base landscape, the inspirational Ruth Grindrod opened the new season of NDPS photo-talks with a bang! Ruth had prepared a new presentation and we were the first camera club to receive it. A real privilege and a real feast for the eyes.of the 56 members and guests who where there in our new home at the City Academy Norwich.

Ruth began, and indeed ended, with a rousing short audio visual presentation which introduced her photography, her thought processes and her technical tips. This was a 'no bullet point' start to an evening of Scotland north, south, east and west!

As usual with Ruth she began with a brief list of her kit - the cameras she uses, her filters and tripod. She followed this with her first piece of advice, advice which she has found invaluable over her photographic journey - get it right in the camera!

She said that printing your picture is by far the best idea and to help get the printing to your satisfaction you should print sample sheets on ordinary photo paper and then consider the best paper, the most suitable paper, for each particular image.

Ruth showed a series of breath-taking photos to illustrate composition. Offsetting an image by using a pebble - she didn't place it! It was there naturally! She showed the horizon in the centre of a picture, normally against the rules of composition but . . . Rules can be broken.

Read More
Sheffield Photographic Society Members visit Norwich

NDPS were delighted to host a visit from our friends from Sheffield between the 17 -19 of June. The two Society’s made contact with each other at the beginning of the pandemic and although we have shared a few evenings, enjoyed a new photo-competition along with Old Coulsdon and a few members have met each other when for example people have been travelling this was the first official ‘face to face’ gathering of SPS and NDPS members.

The Sheffield contingent arrived at 4pm on the hottest day of the year! After a brief “getting to know you” moment we all set off for a saunter along the river in the general direction of the Adam & Eve, grabbing shots along the way.

After a swift’ish half we meandered towards the Cathedral and much more joyful snapping ensued. The Sheffield Togs were returned to their hotel and arrangements made for the following morning.

Saturday dawned grey and dull and we all assembled at the Horsey Mill carpark. Windmills being a scarcity in Sheffield, delight was expressed by all and much shooting from all angles took place. The next (unscheduled) stop was St Mary’s ruin at East Somerton, a fine drizzle didn’t dampen spirits and images were captured by all.

Happisburgh lighthouse was the next port of call followed by the thatched boat houses at Hickling, both sites provided novel imaging for the visitors as Sheffield has nether in close proximity.

Dinner was had and enjoyed at Yellows at Carrow Road. Ours was the largest and noisiest party that particular Saturday night evidencing a good time had by all.

Sunday saw a pleasant visit to Rosary Road cemetery, much beloved by aficionados of high gothic memorials and tombstones, batteries near exhausted and SD cards fit to bust all went their separate ways home to Sheffield happy and pictorially replete.

Let the great post shoot edit commence with fond memories of their visit to our neck of the woods.

Read More
Maurice Young
Annual Print Panel Award - 2022

Des King backed-up his recent success of his print ASPECTS OF THE SAINSBRY ART CENTRE being chosen best Print Image of the Year by winning the Annual Print Panel Award for 2022. In the first round a record number of entries were held back by Judge Justin Minn’s who said his task had been made extremely difficulty by the very high standrad of photography shown during the evening. But as always there can only be one winner and Des’s panel of five images entitled ON THE COURSE swept away the trophy.

Read More
Details of NDPS's Annual Open Public Photography Competition announced...!

Norwich & District Photographic Society’s
Annual Open Public Photography Competition

Norwich & District Photographic Society (NDPS) returns this Autumn to Norwich Cathedral between Tuesday 27th September and Saturday 29th October when the 106th Annual Exhibition is held in the prestigious Hostry Exhibition Area.

Would you like to see one of your photographs exhibited at Norwich Cathedral in the Autumn..? That's the prize awaiting four lucky photographers in our Annual Open Public Photography competition..!

To enter send up to three digital images and indicate your age if under 18, by midnight on Sunday 31st July. The judge of this year’s exhibition entries will choose the winner and two runners-up from a final shortlist of twenty selected by the members of the NDPS f1.4 Forum. In addition, there is a separate award for best Junior Photographer under the age of 18 years old on the 1st of September 2022.

The authors of the four photographs selected will each be awarded a framed certificate at the ‘Private Viewing’ for NDPS members and their guests on Tuesday 27th September at 7:00pm in the Hostry.

Read More
David Jordan elected NDPS Photographer of the Year

In last night’s final the members of the Society elected David Jordan Photographer of the Year.

In the first part of the evening all six finalists (in alphabetical order) Dave Balcombe, David Jordan, David Powley, Pat Stebbings, each showed and talked about the 10 images they entered in the five pre-qualifying rounds that took them to the final.

After the break, the finalists presented three new images (all choosing to show prints) before a ballot was held to select the champion photographer.

Last year’s champion Neil Hall who we were all delighted to see back in NDPS presented David with the trophy. Neil congratulated all the finalsts on the quality of photography on display, adding he knew from personal experience what a tough competition POTY is…!

Read More
Rome - In Pictures and Words by Chris Ceaser

On Tuesday evening Chris Caesar led us through the streets of Rome and treated us to a potted history of the Eternal City beginning from the 9th century BCE up to today. He talked of the seven hills of Rome, the myths surrounding the founders of Rome, Romulus and Remus, their falling out and Romulus' victory. Chris mentioned the Sabine women from the next door hill and the arrival of the Eutruscans.

We saw pictures of the Circus Maximus, the chariot racing arena, and Chris explained the meaning of the ubiquitous logo 'SPQR' (Senatus Populusque Romanus) the Senate and People of Rome, to be seen on so many structures in the city.

Julius Caesar made an entrance and his well known sound bites explained - 'The die is cast!', 'Crossing The Rubicon', 'I came, I saw, I conquered'.

Then on to The Appian Way, its construction and its bloody history of punishment of the slaves of the Spartacus rebellion, 6,000 prisoners nailed to crosses every 60 yards!

The emperor Trajan his column, a carved history of war and invasion, his building of what is believed to be the first supermarket and the first use of concrete in construction.

After the break we saw some beautiful pictures of the Pantheon and its oculus, its eye in the roof open to the sky. In the 1400's Piazza Navona was constructed and this breath-taking open area still retains the shape and dimensions of the original circus on which it was built.

Piazza del Campidoglio, beautifully designed by Michelangelo, is the masterpiece of the Capitoline hill and beautifully photographed my Chris. More excellent views of the Spanish Steps, the Trevi Fountain and Piazza del Popolo.

We walked along the banks of the Tiber on Lungo Tevere and admired the bridges, the Ponte Rotto and the Vatican church and state.

Chris ended his Roman Holiday with a brief tour of the fountains, the 'typewriter' monument and the 'bocca della verita'. You know, the drain cover which bites your hand off if you don't tell the truth!

Great photos, great explanations and an evening to remember. Our thanks to Chris.

Read More
The Carnivores of the Serengeti by Bob Johnson ARPS

In February, after his first visit to NDPS, he 'Exit(ed) pursued by a bear'! An ice bear, at the end of his Svalbard presentation!

This evening his presentation suited the arrival of English summer! We were transported to much warmer climes, the Serengeti, Tanzania, home of the great migration.

Bob began by explaining his love affair with Africa which followed a family trip where he became hooked on wildlife photography and has resulted in fourteen subsequent visits!

On to the Serengeti (Serengeti means 'endless plains') and is a huge national park in Tanzania. Bob changed his cameras from Canon to Olympus before the trip so there was something of a learning curve, but he began with pictures of a cheetah, up in a tree, with a dead sheep she had caught.

Next was a cheetah and her cub on a hunting trip in woodland! Very, very unusual situation to see a cub helping and in woodland. Then they caught an impala, another rarity! This sequence of photos showed all the action, including the kill, and Bob suggested that even though this was fast moving it is still worthwhile changing settings during the action, to improve the shutter speed and reduce noise - something of a conundrum.

Then, with a non-photography group, they saw a pack of 16 wild dogs, again, never seen before. Then a cheetah, nicknamed 'Patch' by the visitors with her four cubs only three months old and very vulnerable to attack. This means that mum was very busy indeed looking for food. All the animals looked in good condition and, indeed all four reached adulthood. A tribute to Patch because this was her first family and such success has rarely been achieved.

Bob began the second half with some astonishing statistics about lions - the numbers have dropped from 200 thousand to 20 thousand, of which 4 thousand are males and of these only ten percent will mate in their lifetime!

Bob then showed four lions killing a young hippo and a lioness killing a young giraffe for her sister and their eight cubs! Those cubs hadn't eaten for two weeks and they were very hungry.

Bob rounded off his presentation by recommending 'Remembering Wildlife' to us, a series of books published to help in the conservation of species.

Another exciting presentation from Bob Johnson with not too much blood but some good examples of the law of self-preservation and the law of the bush.

Read More
A Bit of a Journey by Mark Gilligan

Yesterday evening's presentation from an absolutely outstanding photographer kept over forty members enthralled for the whole evening.

Mark introduced himself and ran through his early life from his schooldays, when he was in the football team, to his retirement! He made no apologies for this journey which included several references to his father who he described as his inspiration. His dad was a photographer and Mark had never known a time in his life when there was not a camera around, and a good camera too because his dad allowed him to use the newspaper camera from work!

Mark explained how he rose to the heights of working for the Daily Mirror and, importantly, working in the Mirror dark room. From 1972 - 1975 he worked for an ad. agency and then he was recruited by the Home Office.

In this job he was responsible for training photographers and AV people when the Home Office was interested in the inner city riots - his images followed this route, Acquisition, Assess, Protection and Court! This led to film production and even more pictures of city centre riots, but he was always able to escape for short periods to the lake district for landscape photography.

1984 and Mark was involved in the miner's strike, flying pickets and Mr. Scargill. 1985 saw him photographing and recording the Heysel Stadium disaster and Bradford City disaster.

The Home Office needed a system to deal with English football hooligans at home and abroad and Mark helped in devising and putting this in place. This is now known as the National Crime Agency.

He covered the Tottenham Riots of 1989, the prison riots of 1990 and went on to make counter terrorism films.

This whistle-stop tour of disasters brought us to the break. When we resumed Mark shared how he makes a photo - assess, compose, expose and click! He said that he used Lightroom but doesn't take more than a couple of minutes in post processing. In addition to Lightroom he used Nik Collection Silver Effects.

He had an interesting way of dividing a day into sections. First, sunrise, then daytime (yes you can take pictures during the day!), Grim and finally Dusk. An interesting assessment of a photographic day but all the time he wove his fabulous landscapes of the Lake District and North Wales through his explanations.

Read More
Sports Photography with Impact by David Keep

We think this presentation should be re-named, The Agony and The Ecstasy! The title of a biographical chronicle of Michelangelo and the opposition he faced from Pope Julius II while painting the ceiling of the Sistine Chapel. Last night we had a modern day Michelangelo presenting to NDPS!

This was David's third presentation to this Society and that alone surely indicates how good he is!

He said that all his photography is project based and his thought process went through the following stages: visualise, plan, shoot and finally process. He said he wanted to be in control of his processes.

He listed some sports that were easy to photograph - tennis, white water canoeing and cross country horse jumping. More difficult sports were athletics, squash, contact sports and speed skating.

His images were taken for competitions only and were not really a romantic view of drama. He looks for peak action for the maximum impact and the maximum return on effort. Predictability was the keystone, and he compared the long jump with rugby. The long jump is predictable, every competitor runs the same distance and lands in the same pit - predictability! A game of rugby, by contrast, cannot be predicted. Who knows where the players will be, where the scrums and lineouts will be!

David showed pictures of freestyle kayaking, an easy sport to photograph, providing it was not on a real river where the chances of that killer shot would be elusive.

His pictures of horses jumping hedges were dynamic, strong, and sharp and his favourite technique of putting a camera on the ground and photographing up towards the horse and rider produced some great shots.

Read More
Mastering Long Exposure Photography by Antony Zacharias

Mastering Long Exposure Photography

Last evening Antony gave us his presentation on long exposures. He promised to give us a focus on wide ranging aspects of long exposure work including night-time images, neutral density filters and a wealth of hints and tip to improve long exposure photography.

Well, he kept his promise..!

His explanations together with a fantastic set of photographs were an inspiration to landscape photographers and, I suspect, photographers from other genres..!

He began simply by setting out a two part definition of the use of long exposure:

1. where there is a shortage of available light and

2. a deliberate and creative use of extended shutter speed.

Read More
Topic for next Year's International Three-way Battle is announced.

Next Year it is the turn of Foto-Club Koblenz to organise the Annual International Three-way Battle between Kpblenz, Ciné-Photo Club Nivernais, and NDPS when all three ‘clubs’ will again compete for the Alan Taylor Memorial Trophy, currently held by NDPS.

The topic that FCKO have chosen is ‘GRAPHIC’.

In the context of the competition Graphic photographs are photo motifs that result in a graphic motif through light, dark, colors, surfaces, lines and dots. What is meant is the language of form - also in nature, objects, light and shadow, facade(s) and building structure (not "simple" architecture).

The remaining rules are the same as until now. NDPS will be ready to send our 20 +1 images by the first week of January 2023…!

Read More
Another outstanding result for NDPS this time in the EAF Print Championships 2022

Norwich & District Photographic Society continued our recent success in external photographic competitions and inter-club battles with an excellent performance in the EAF Championships. This report is by Dave Balcombe who was one of the five NDPS members who were at Fulbourn on Sunday for the championships.

On Sunday13th March five club members went to the print championships in Fulbourn. There are we currently understand 116 clubs in the EAF but only 17 entered the print championship this year whereas normally there are at least 25 and frequently in the recent past many more. Each club entered 15 prints and the winners would go forward to represent the EAF at the national championship organised by the PAGB. This style of competition is somewhat different to normal club competitions, there are 3 judges with a numeric keypad, the prints are placed on a display stand, and they score between 1 and 5 so the maximum score is 15. They are all experienced judges and the scores come up in seconds with no other feedback or commentary so often images that might do well at club level don’t do so well if they don’t have instant impact.

The Norwich entry was drawn from all the photographs entered in our Annual Exhibition and all other internal competitions and members were invited to submit any other images they wanted considered by our selectors.

By the half way point we knew we were doing fairly well and lying in 5th place, but it was very close at the top. We think the judges must have had a good lunch as the scores immediately after they had dined were noticeably higher and when the final scores were totalled up we still had the 5th highest score of 178.

Read More
Creative Techniques by Glenys Garnett

Creative Techniques
Photography is a visual art that begins before you pick up the camera

This week on Tuesday evening Norwich & District Photographic Society were treated to a inspirational special presentation - Creative Techniques, by Glenys Garnett.

Why haven't I used these techniques? Glenys' results were breath taking. Of course I've used multiple exposures but not with blend modes!

Glenys began with a short introduction of herself, revealing that her background was in graphic design and IT. She said she was interested in landscape and nature and particularly floral photography. She said that many of her images were abstract and two important points were that mostly the capture was in camera and the end result created an impression, that is structure, shape, and form rather that a record shot.

Glenys, throughout her presentation, explained technique, and approach and in every case showed examples, and what stunning examples they were.

She said that photography was a creative visual art and that the whole process began before she picked up the camera - visualisation, capture, technical skill, processing and developing. She quoted Cartier-Bresson 'Think about the photo before and after, never during.' Being creative was a mindset and all about seeing, exploring and discovering ways of expressing yourself. Ask yourself; Why am I doing this? What am I trying to say or show?

Techniques do not make you creative, you must express yourself, play and experiment, develop ideas and visions.

Glenys was on a roll and in the second part of her presentation she focussed on intentional camera movement (ICM) and multiple exposures (ME). For ICM shots she recommended not to use small apertures, use ND filter, manual focus hold the camera still then move it.

For ME shots she described the different blend modes available in today’s cameras and the effects they produce. Of course these explanations were accompanied by her own wonderful examples.

This review barely scratches the surface of the information offered and falls short of describing the enthusiasm of Glenys for her hobby. So much to assimilate and so much to practice.Creativity is hard but she finished her presentation with the exhortation HAVE FUN

Read More
Special Presentation by Eddie Hyde FRPS

Making Sense of the Landscape - The Art of Seeing
A personal take on Landscape Photography

Yesterday's special presentation was all about landscapes and the art of choosing not only a subject but choosing all the elements of a composition. Eddie is clearly a consummate photographer and this expertise is the result of carefully 'seeing' what's in the viewfinder and making a multitude of decisions.

“Landscape photography is the supreme test of the photographer and often the supreme disappointment”

— Ansel Adams

Eddie began with the key criteria of landscape photography - the rules of composition and key elements. Composition, does 90% of the work in a good photograph but remember lighting, atmosphere and keeping it simple! Eddie showed many examples of simplicity with some remarkable subjects: planes, castles, beaches and storms.

Make use of leading lines and as examples he showed fields, railway lines and other compositional devices including the path to nowhere, the river to nowhere and the road to nowhere!

Another gem of an idea was to ask yourself 'Is there more than one picture within the view?' Eddie enlarged on this theme by explaining his use of different focal lengths - 50 to 200 mm, 109 to 500 mm to select different compositions.

Moving forward to woodland captures Eddie invited us to embrace the chaos and be aware of the power of light. Also he said use the marcescence of beech leaves especially when combined with mist and fog. Mist and light in woodland are heaven on earth!

Read More
Special Presentation by Bob Johnson ARPS

The Kingdom of The Ice Bear
Tuesday 22nd February.

This evening members of Norwich & District Photographic Society were all entertained by an inspirational story of arctic adventure illustrated by some outstanding photographs. The presentation by Bob Johnson was a description of his four week trip inside the Arctic Circle in the Svalbard area in the former seal hunter ship called Havsel and captained by Bjorn Kvernmo to the Kingdom of the Ice Bear!

Bob began by telling how he started photography, fell in love with Africa (he has been there 14 times now!), talked of his farmers photos in Essex but quickly moved on to this evening's presentation in the far north of Norway. The boat he was on had previously been used for seal hunting, capable of hunting and killing 1,500 seals on a trip, but today Captain Bjorn is now passionate about wildlife.

At the start of the trip there was a lack of bears and they sailed along the edge of the ice where Bob had some amazing views from the crow's nest. Suddenly they spotted a dead whale and 21 bears. The view was amazing, 21 polar bears all together in one spot was a record even for the captain, but the horrible, rancid smell . . . Later a mother bear and two cubs were spotted, and the photographers watched them for a couple of days, just long enough for the bears to get used to the ship and come closer and closer allowing some breath taking photography.

Read More
Norwich Evening News selects NDPS to start new series 'yourclubs'

Norwich Evening News has begun shining a light on some of the many clubs and groups in Norwich that offer their members the chance to meet like-minded people, learn new skills and make new new friends. We are delighted that the Club they choose to feature this week to begin this new series was Norwich & District Photographic Society…!

NDPS gave them a few details about the Society and a number of photographs from which the Evening News produced the following article:

Read More